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II. THE ELEMENTS
 

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ACTION                       
(i) ONE THING AT A TIME
(ii) ACTION CHOREOGRAPHY
(iii) SPACES & MEASUREMENTS
(iv) FLASH-IMAGES
(v) STRONG ACTION
(vi) CHUNKING
(vii) A TIME TO CUT OR SKIM
(viii) SOUNDTRACK EFFECTS
(ix) IMPACT
(x) PREPOSITIONS

SETTING           
(i) FACTS VERSUS IMPRESSION           
(ii) MISE-EN-SCENE           
(iii) WHAT WOULD YOU PERCEIVE?                       
(iv) SPREADING IT THROUGH
(v) WEATHERS & TIMES OF DAY
(vi) ADJECTIVES
(vii) FANTASY: THINKING THROUGH THE CONSEQUENCES
(viii) FANTASY: MAKING IT FRESH
(ix) FANTASY: A PROBLEM WITH PERMANENT CONDITIONS

DIALOGUE           
(i) VIRTUES OF DIALOGUE
(ii) THE SPIRIT OF INTERACTIVITY
(iii) QUESTIONS
(iv) SWAPPING CONTENT

(v) ADDING SPEAKERS
(v) WHO’S SPEAKING?

THINKING INSIDE
(i) DIRECT PRESENTATION
(ii) FREE INDIRECT DISCOURSE
(iii) SLIDING AND GLIDING
(iv) ANOTHER SHIFT OF FOCUS

 
 
 

 

 

 

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1997 - 2015

Richard Harland.